Get Involved
Serving Community Together
KLOKi Pirate Radio Denver is not some loose operation aimlessly invading airwaves. It has a strong, meaningful mission! It's focus is on promoting and uplifting the alternative anti-authoritarian music culture. That's a niche that deserves a lot of attention and love.
Do you listen to pirate radio, or are you just discovering it? What do you think about my approach to supporting underground music? If you like what I am doing, are you willing to help?
Introduction
Radio entertainment is expressly community oriented
With its wide reach and diverse listener base, radio remains a powerful platform for music artists to showcase their talents and connect with audiences. Unlike streaming platforms where listeners actively select their preferred tracks, radio offers a more passive listening experience.
People often listen to pirate radio because it provides access to niche music genres that mainstream stations don't play, allowing listeners to discover new artists and styles, and offers a sense of rebellion against established broadcasting systems, can cater to specific community interests, and sometimes provides a platform for local artists and voices that might not be heard otherwise; essentially, it gives listeners a sense of control over what they hear and a connection to a unique cultural scene.
The "underground" nature of pirate radio can appeal to listeners who value nonconformity and a sense of being part of something outside the mainstream. It also offers a space for discussing controversial topics or expressing opinions that might not be allowed on licensed stations.
Pirate Radio Denver is the kind of underground station that thrives on mystery and rebellion! A Mile High in the Rockies, broadcasting from the shadows, and embracing the spirit of nonconformity its airwaves are filled with eclectic tunes, rebellious rants, and stories of the mountains themselves.
If you have ever thought about how you can become involved in the elusive and exciting world of pirate radio, now is your chance.
KLOKi Radio's Ideal Referral Partner
Radio programming is curated to best suit the target audience
KLOKi Radio is seeking well-organized music entertainment organizations--such as bands, venues, promoters, and community-driven collectives--who are dedicated to serving marginalized musicians within the hard rock, heavy metal, metalcore, grindcore, punk rock, crust punk, rap metal, and electronic metal scenes. An ideal partner shares in the commitment to providing DIY artists with access to mainstream media platforms, helping them gain public exposure and recognition.
KLOKi is looking for partners who:
- Have a strong community presence: Actively involved in their local or niche music scenes, engaging with both artists and fans.
- Build and maintain strong networks: Trusted relationships with musicians, venues, promoters, and other industry stakeholders.
- Provide exceptional value to audiences of all ages: Passionate about delivering experiences that resonate with a wide range of listeners and fans, from newcomers to dedicated followers of underground music.
- Value diversity and inclusivity: Promote an environment that uplifts marginalized voices within the music community.
If your organization embodies these values and is dedicated to providing meaningful opportunities for DIY and underrepresented artists, KLOKi Radio would love to explore the potential of working together (in the shadows) to amplify the voices that need it most.
Benefiting From The Radio Format
Radio plays a crucial role in breaking new artists
Listening to radio can have benefits over streaming media like readily accessible news and traffic updates in real-time, a more passive listening experience with less need for selection, a wider variety of music across different genres, and often being free without a subscription, making it a convenient choice for staying informed while doing other activities.
When you partner with KLOKi you enjoy key benefits of radio over streaming media:
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Live information:
Radio provides immediate access to breaking news, weather updates, and local traffic information, which can be crucial for staying informed on the go.
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No subscription fees:
Most traditional radio is free to access, unlike many streaming services that require a paid subscription.
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Diverse content:
Radio offers a wider range of programming from music to audio entertainment, including news, talk shows, music genres, and specialized content, catering to a wider audience.
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Community connection:
Local radio stations foster a sense of community by featuring local personalities, events, and news.
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Accessibility:
Radios are readily available in most vehicles and can be easily accessed on portable devices, making it convenient for on-the-go listening.
Pirating FM Radio
A practical how-to guide for dummies
Starting a pirate radio station is simple when you have the right equipment. But, without a little know-how, once you put out the expense for your studio and transmission gear, you may quickly find that your ambitions fell to the finer details that only the experienced have learned. Hopefully, the instructions I share on this page will spare you of the many problems beginning pirates experience.
Before you get started, it is important to note that, though it is not a criminal offense, broadcasting on AM/FM/UHF/VHF public airwaves without a valid government issued license or permit is a violation of the FCC Rules and Regulations. The maximum penalty for operating an unlicensed or "pirate" broadcast station is set at $10,000 for a single violation or a single day of operation, and up to a total maximum amount of $75,000. However, as long as you limit your reach to a mile, or in some instances, up to 3 miles, you will likely never disturb the FCC. This does not mean you should always keep descovery of your radio station by the FCC at the top of your mind.
Go here for more information from the FCC's official government website.
Snap Shot of Requirements
- Audio programming studio (it can be music or talking heads).
- An AM or FM transmitter (DIY kits are easy to get your hands on).
- A 1/2 or 1/4 wave transmission antenna (dipoles are super easy to construct yourself and get out farther than 1/4 wave antennas).
- At least 25 ft. of R-58 lossless transmission cable (available at your local CB/HAM radio store or online).
- A 12-48 watt Power supply (a portable battery or solar system is best in situations where you do not want your transmitter located near your studio).
- A high elevation for your antenna's location (it must be located above structures in its line of sight, and should not be any higher than 100 ft. over your average two-story structure).
- Optional gear may include a broadband cellular device you can leave near the transmitter, wireless remote power switches to turn on/off the transmitter, and outdoor surveillance cameras (more on this later).
There are various how-to guides available online that can help you with determining the best location for your transmission tower. However, as long as you situate the base of the antenna, or negative rod, at least twice the length of both rods of the antenna together from the ground, and your antenna is situated where it is free from obstacles in its line of sight, you should be situated well enough for maximum range.
Studio Hardware
A basic studio, consisting of at least three program/sound sources, is about all you need to start broadcasting. These, combined with software, are all that is needed to get your audio source perfect for transmission. Myself, I use two older laptop computers for my MP3 player decks, and a desktop computer for all of my studio production work and live shows. When I am not live, I have a rather large play list complete with all of the music I want to play, my announcements, jingles, sound bites, etc.
Generally, a professional studio will include analogue/digital mixing decks, microphones for your announcers, headsets, portable audio capture devices, smart phones, laptops, soundproofing gear, and furniture.
For your center piece, I highly recommend the ROADCASTER PRO II (image shown below). For those looking for a credit on its purchase, I recommend Sweetwater.
Transmitter
There is a wide range of FM transmitters available on the domestic and international market, ranging in cost from $40 to $1000, that can be used to construct a low power FM radio station. However, to get you up and started right away here is what you'll need. (The products mentioned here are offered for educational purposes only and are not endorsed by KLOKi Radio.)
DIY kit 15W FM broadcast transmitter PCB Board 76MHz~108MHz for radio station - This 15 Watt FM transmitter is likely the best bang for your buck, and offers plenty of power to reach at least a mile radius if not better (I get out 3 to 6 miles with this model).
DYKB 30W FM Transmitter PLL Stereo audio 76-108MHz frequency Digital display Radio broadcast Station Receiver GP antenna HAM - Are you wanting to penetrate buildings up to 3 miles with your transmission? This 30 Watt FM transmitter will get you out at least 6 miles radius, if not better, and is powerful enough to penetrate buildings up to 3 miles away (I get out 5 to 8 miles with this model, depending on the location of my antenna).
Antenna & Transmission Cable
Should you get an FM transmitter, you'll also need a suitable location to transmit from. Otherwise, your signal will not get out very far. However, in some areas only a minimal elevation would be required, potentially meaning that a building on elevated ground will suffice. (More on this later.)
The key to getting your signal out, other than the type of antenna you choose, is to situate your antenna at a location that overlooks the entire area where you will be transmitting. When setting up, your antenna should be high enough where no objects are in the way of its line of sight.
Finding the right antenna can be tricky. However, I have done all the work for you. Here are two of the best antennas that will not only get the job done but will actually increase your power output and range. (If you are not familiar with the FM band, you could find yourself limited to 300 ft.)
Fmuser 1/2 Half wave professional FM Dipole Antenna for broadcasting radio station High Gain 88-108mhz for Fm Transmitter - This half-wave dipole antenna provides for very clear and easy frequency adjustment using scales on the side bar of the antenna from which you can adjust the frequency from 88~108 by 1mhz stepping. It also provides a 3.5 dBi high gain for the FM transmitter, which means it improves your signal strength and range and since it is a directional antenna, you can add at least twice the distance than a radius antenna to your transmission's range.
8M copper cable 50-3 RG59 1/4 wave Professional GP Antenna 5 frequency point aluminum alloy antenna FM transmitter antenna - This antenna is a 1/4 wave GP antenna that is easily adjustable for fixed FM transmitters. Its rods (B1 - B4) are tuned for frequencies between 85-90MHz (B1), 90.1-95Mhz (B2), 95.1-100Mhz (B3), 100.1-105Mhz (B4) 105.1-108 (B5). Its center frequencies are 87MHz, 92MHz, 98MHz, 103MHz, and 108MHz with a 3.5dB gain.
IMPORTANT NOTE: In a transmitter, "SWR" stands for "Standing Wave Ratio," which is a measurement of how well the transmitter's signal is being matched to the antenna, essentially indicating how much of the transmitted power is being reflected back towards the transmitter instead of being radiated by the antenna; a lower SWR is better, signifying a good impedance match and efficient power transfer to the antenna. Measuring the SWR of your transmission can be a bit tricky if your transmitter does not include its own ability to do so.
As for transmitters that do not include an SWR meter, I strongly recommend your antenna be at least 25 ft. from the transmitter and that the antenna is at least 10 feet above the ground plane.
Power Supply
If you plan to keep your transmitter within reach where you can plug into the electrical grid, the following section will be of little use to you. In that case, you may scroll down to the next section.
Most low-power transmitters 50-watts and under will only require 12-volts, and up to ten amps, where the more powerful 75-150 watt transmitters will require 48-volts.
Solar System - The size of your solar panel and charging system will vary depending on your transmitter's power consumption. However, it must be sufficient enough to keep your battery charged during the day while powering your transmitter for at least 14 hours, with a stored battery capacity of at least 8 hours. Anything less with not work.
To save you from any headaches or overspending, I advise you contact a certified solar panel dealer with a description of your power consumption needs.
Battery - A durable, long lasting battery for your solar is a must. Myself, I use the Deka 8GU1 gel cell battery because it is maintenance-free and combines true deep cycling ability with spill-proof construction. It is exceptionally resistant to hot and cold temperatures, making it perfect for heavy demand applications like a low-power FM transmitter with a power output of 50-watts. I also like to use this battery because of its sealed construction eliminates, making the need for periodic watering and prevents corrosive acid fumes and spills obnsolete.
You will also need a solar 10A charge controller that supports sealed, Gel, Flooded, and Lithium batteries.
My Solutions Explained
Most pirate radio operators keep their transmitter very close to their studio for obvious reasons. First, most LPFM setups are limited in the length of their transmission line (usually 10-100 feet), and they face limitations on the transmitter's audio feed and power supply. For example, the transmitter must be connected to your studio's audio output. Situating a transmitter miles away is just not feasible without spending a lot of money. It must also have a continuous power supply, which again limits the distance the transmitter can be away from its main power source.
Second, most electronic components are sensitive to atmospheric conditions and require constant maintenance. For example, transmitters emit electromagnetic radiation called RF (radio frequency). Feedback from the radiation being emitted by the antenna can harm the transmitter. For this reason, it is important to monitor the transmitter, its temperature, and sound wave ratio (SWR). Because LPFM transmitters are based on low technology and operators cannot afford expensive monitoring equipment, they keep the equipment close in case things go wrong.
Third, should the operator become paranoid or notice vehicles in the area that are suspicious, such as the FCC, they often immediately react by turning the transmitter off. As such, they feel the need to stay close enough that they can react on a moment's notice.
Another major concern for pirate radio operators are these HAM operators who like to snitch on pirates. These jealous bastards often partner with one another to do the work of the FCC by triangulating your transmission to find its location, then informing the FCC of their measurements.
My setup solves most problems that pirate radio operators have been experiencing since the dawn of pirate radio. Most importantly, it is an autonomous setup designed to shield you from the FCC by making it next to impossible to connect the transmitter with you personally. If you promote your radio station correctly, it could have been anyone who set up the transmitter. For example, why do you think I am encouraging folks to set up a transmitter for KLOKi Radio and run it for the radio station or include my radio programming into their transmissions? Even if I am not utilizing strangers as volunteers to make this happen, the fact that I am advertising for volunteers in this capacity raises the level of doubt where it cannot be proven unless you are caught red-handed. At best, prosecutors must rely on the preponderance of the evidence, and even at that, they can only prove that (1) you run a radio studio and (2) you advocate for volunteers to assist in your transmission. (A preponderance of the evidence is a legal standard that means proving something is more likely than not to be true.)
Myself, I run a streaming radio station that is online 24/7, 365. My audio programming can be heard from around the world, and it only requires an internet connection to listen in.
My audio programming is being broadcast using 9 transmitters situated between Boulder and Castle Rock, Colorado. Only one of them belongs to me, and it is the smallest in KLOKi Radio's operation. The remaining transmitters are completely out of my control. I don't even know if they are on or off without the operator informing me. Granted, I may have provided all of the information and technical support needed, and I may even finance the operations, but that is up to anyone's guess whether it is true or not. Get my drift. For example, early in 2023 my radio programming was being heard in Madison, Wisconsin. Now how in the hell can I be responsible for that? Also, there is no FCC rule that prevents me from providing the technical know-how or the financing.
With the above stated, let's get started.
My Studio Setup
Below are photographs of my studio. I am providing these to give you a better idea of what is needed to perfect your radio programming.
My studio was designed to be portable with the ability to easily pick up and move in a moment's notice. The studio connects to LPRN1 transmitters using its 24 hour online stream, available world-wide by pointing your listening device to https://kloki.us.
My Solutions Explained
Most pirate radio operators keep their transmitter very close to their studio for obvious reasons. First, most LPFM setups are limited in the length of their transmission line (usually 10-100 feet), and they face limitations on the transmitter's audio feed and power supply. For example, the transmitter must be connected to your studio's audio output. Situating a transmitter miles away is just not feasible without spending a lot of money. It must also have a continuous power supply, which again limits the distance the transmitter can be away from its main power source.
Second, most electronic components are sensitive to atmospheric conditions and require constant maintenance. For example, transmitters emit electromagnetic radiation called RF (radio frequency). Feedback from the radiation being emitted by the antenna can harm the transmitter. For this reason, it is important to monitor the transmitter, its temperature, and sound wave ratio (SWR). Because LPFM transmitters are based on low technology and operators cannot afford expensive monitoring equipment, they keep the equipment close in case things go wrong.
Third, should the operator become paranoid or notice vehicles in the area that are suspicious, such as the FCC, they often immediately react by turning the transmitter off. As such, they feel the need to stay close enough that they can react on a moment's notice.
Another major concern for pirate radio operators are these HAM operators who like to snitch on pirates. These jealous bastards often partner with one another to do the work of the FCC by triangulating your transmission to find its location, then informing the FCC of their measurements.
My setup solves most problems that pirate radio operators have been experiencing since the dawn of pirate radio. Most importantly, it is an autonomous setup designed to shield you from the FCC by making it next to impossible to connect the transmitter with you personally. If you promote your radio station correctly, it could have been anyone who set up the transmitter. For example, why do you think I am encouraging folks to set up a transmitter for KLOKi Radio and run it for the radio station or include my radio programming into their transmissions? Even if I am not utilizing strangers as volunteers to make this happen, the fact that I am advertising for volunteers in this capacity raises the level of doubt where it cannot be proven unless you are caught red-handed. At best, prosecutors must rely on the preponderance of the evidence, and even at that, they can only prove that (1) you run a radio studio and (2) you advocate for volunteers to assist in your transmission. (A preponderance of the evidence is a legal standard that means proving something is more likely than not to be true.)
Myself, I run a streaming radio station that is online 24/7, 365. My audio programming can be heard from around the world, and it only requires an internet connection to listen in.
My audio programming is being broadcast using 9 transmitters situated between Boulder and Castle Rock, Colorado. Only one of them belongs to me, and it is the smallest in KLOKi Radio's operation. The remaining transmitters are completely out of my control. I don't even know if they are on or off without the operator informing me. Granted, I may have provided all of the information and technical support needed, and I may even finance the operations, but that is up to anyone's guess whether it is true or not. Get my drift. For example, early in 2023 my radio programming was being heard in Madison, Wisconsin. Now how in the hell can I be responsible for that? Also, there is no FCC rule that prevents me from providing the technical know-how or the financing.
With the above stated, let's get started.
Home Studio Setup

The home studio is the primary source for sound production and streaming online. It uses two destop comupters that are connected to the internet, and two laptop computers that are mixed using the Rodecaster Pro II audio control console.
Mobile Studio Setup

The portable studio is used for live productions on location. When in operation, it uses solar power and a broadband connection to stream to its servers.
Transmitter Setup

A typical LPRN transmitter is a portable set-up that consists of a FM radio transmitter using a dipole antenna that is tuned to its operating frequency, a broadband cellular device to receive its audio feed, and a solar setup to provide it with a continuous power supply.
Now! If you REALLY want to protect yourself from the FCC, after you get all the equipment you need to get set up, follow these instructions:
- Setup an online stream for your radio station, and start streaming your programming to a web server.
- Get a solar system that is able to generate enough power to keep your battery charged during the day while the transmitter is operational. This will provide the transmitter with renewable electricity, as well keep it operational during night time hours. You might also want to invest in something simular to a WiFi plug smart device so you can remotely turn the transmitter on and off using an internet connection. You can use your cellular device to create a WiFi hotspot for any remote gear you decide to use.
- Get a cellular phone or any other broadband wireless device with an audio output jack that is able to connect to the internet. Use the cellular device to connect to your online stream, then plug the audio output into the transmitter's audio input.2
- You're all set. You may now walk away.3
- You can use any internet connective power switching device to turn on and off the transmitter remotely. You can even install remote viewing cameras to monitor the area where your tower is setup.
To further insulate yourself, I advise you join the Low Power Radio Network to begin sharing audio programming with other operators. This will make it harder to prove you are the actual operator of the transmitter in the event you bring unwanted attention to yourself. Go here to submit a request to join.
Happy pirating. After getting set up, if you want to join my Low Power Radio Network, go here to contact me. By joining the LPRN, we share audio programming to expand our field of reach and add diversity to our radio stations.
Footnotes
(1) LPRN stands for Low Power Radio Network, which is a network of volunteers that I was able to assemble over the years to assist in the creation and transmission of pirate radio throughout the Denver area. It can also unite pirates nationally for those who are interested.
(2) If you do not want your cellular device to be packaged with the transmitter, you can always connect it to a second WiFi or Bluetooth device that is able to provide it with your audio feed. This will allow you to place the cellular device anywhere within 300 ft. of the receiving device that connects to your transmitter.
(3) Using my setup design, your transmitter can be anywhere you please, even hundreds of miles away from your studio. If you are careful in your installation, you will not have to return to the site unless things go wrong. If you really want to go all out, you can also setup a web cam using your cellular device's hotspot to monitor the site.
