Anti-Authoritarian Free Press

Copyright Regulations = Oppression

DISCLAIMER: KLOKi Radio is a private, commercial-free venture dedicated to public service through educational and informational purposes under Section 107 of the Copyright Act. KLOKi Radio does not engage in advertising or generate any form of income. The promotional services provided are offered at no cost as a public service to the beneficiaries.

Music containing explicit language that may be offensive to the general public is edited to ensure it is radio-friendly. Any third-party audio programming, which includes advertisements, may be edited based on the nature of the content. KLOKi Pirate Radio Denver does not advertise or utilize any of its services for purposes, and does not participate in any form of activity.

Audio Programming

KLOKi radio's audio programming contains free promotional music, trusted news by independent resources, somewhat accurate weather, updated traffic reports, and audio entertainment that is fresh, modern, different, striking, and new.

Music:

Hard rock, heavy metal, metalcore, grindcore, punk rock, crust punk, rap metal, electronic metal (see complete list below)

News:

The Associated Press

Weather:

National Weather Service

Traffic:

Road Rage with DJ Chaz using Live Google Maps, Bing Traffic Maps

Podcast Entertainment:

The Tim Dillon Show (Comedy), Stavvy's World (Comedy Interviews), Odd Trails (True Crime), Chilluminati Podcast (True Crime), Redacted News (Daily News Commentary), Michael Steele (Politics).

97.5 FM KLOKi Pirate Radio Denver

"Music is the gateway to the soul, a powerful force that ignites the flame of creativity and guides us on a journey to inner peace. It transcends mere sound, awakening emotions and unlocking the deepest corners of our being, offering us both solace and inspiration." -Pirate Radio Denver

97.5 FM KLOKi Pirate Radio Denver

"Music is the gateway to the soul, a powerful force that ignites the flame of creativity and guides us on a journey to inner peace. It transcends mere sound, awakening emotions and unlocking the deepest corners of our being, offering us both solace and inspiration." -Pirate Radio Denver


Anti-Authoritarian Free Press

Copyright Regulations = Oppression

DISCLAIMER: KLOKi Radio is a private, commercial-free venture dedicated to public service through educational and informational purposes under Section 107 of the Copyright Act. KLOKi Radio does not engage in advertising or generate any form of income. The promotional services provided are offered at no cost as a public service to the beneficiaries.

Music containing explicit language that may be offensive to the general public is edited to ensure it is radio-friendly. Any third-party audio programming, which includes advertisements, may be edited based on the nature of the content. KLOKi Pirate Radio Denver does not advertise or utilize any of its services for purposes, and does not participate in any form of activity.

Audio Programming

KLOKi radio's audio programming contains free promotional music, trusted news by independent resources, somewhat accurate weather, updated traffic reports, and audio entertainment that is fresh, modern, different, striking, and new.

Music:

Hard rock, heavy metal, metalcore, grindcore, punk rock, crust punk, rap metal, electronic metal (see complete list below)

News:

The Associated Press

Weather:

National Weather Service

Traffic:

Road Rage with DJ Chaz using Live Google Maps, Bing Traffic Maps

Podcast Entertainment:

The Tim Dillon Show (Comedy), Stavvy's World (Comedy Interviews), Odd Trails (True Crime), Chilluminati Podcast (True Crime), Redacted News (Daily News Commentary), Michael Steele (Politics).


Recently Played Roster

Updates are posted ever 2 minutes

All titles are played for promotional purposes only. Some have been edited to make them radio friendly.

KLOKi radio is a privately run, non-commercial station, meaning it operates independently without making any money from its activities. It doesn't generate income through advertising, subscriptions, or sales, and its goal isn't to make a profit but rather to provide content and serve its community or audience in a different way.


Weekly Program Format

Monday

Monday mornings are often characterized by a slower pace and lower energy levels, as people recover from the events and activities that filled their weekends. The transition back into the workweek can feel more challenging after a few days of rest and socializing, making Mondays historically sluggish for many. In radio entertainment, this is the perfect moment to energize the airwaves with high-energy music, laughter, and fun-filled scenarios designed to lift spirits and brighten the day. It's all about injecting excitement into the atmosphere and helping listeners shake off the Monday blues.


Morning (7 AM - 12 AM) - Morning Drive

07:00 AM - 10:00 AM Morning Show (Hardcore metal with slower-paced riffs and lower energy levels, news updates, traffic, interviews, popular music)

10:00 AM - 12:00 PM Mid-Morning Playlist (DJ-led slower-paced riffs and lower energy music with occasional news and traffic updates)


Afternoon (12 PM - 6 PM) - Midday & Afternoon Drive

1:00 PM - 3:00 PM Request Hour (Lunchtime Grid & Grub Traffic w/ DJ Chaz with music speeding up and becoming heavier)

3:00 PM - 6:00 PM (Road Rage Rush Hour Traffic w/ DJ Chaz, news, traffic, weather, sports, jokes next to music gone out of control)


Evening (6 PM - 11 PM) - Evening & Late Night

6:00 PM - 9:00 PM Quiet heaviness feturing thick, brooding riffs that resonate

9:00 PM - 11:00 PM Specialty Shows (e.g., Deep Cuts & Hidden Gems, Subculture Sessions, Genre Crossovers, Themed Shows)(Premixed music rotation, prerecorded shows)


Overnight (11 PM - 7 AM) - Overnight Programming

11:00 PM - 7:00 AM Midnight Mix (postcast playback, uninterrupted music blocks)

Tuesday

Tuesdays are often characterized by a steady rhythm as people settle into the workweek, finding their focus and momentum after the slower pace of Monday. In radio entertainment, this is the time to engage listeners with upbeat content, lively discussions, and motivating tunes that keep the energy flowing and build on the momentum of the week.


Morning (7 AM - 12 AM) - Morning Drive

07:00 AM - 10:00 AM Morning Show (Hardcore metal with slower-paced riffs and lower energy levels, news updates, traffic, interviews, popular music)

10:00 AM - 12:00 PM Mid-Morning Playlist (DJ-led slower-paced riffs and lower energy music with occasional news and traffic updates)


Afternoon (12 PM - 6 PM) - Midday & Afternoon Drive

1:00 PM - 3:00 PM Request Hour (Lunchtime Grid & Grub Traffic w/ DJ Chaz with music speeding up and becoming heavier)

3:00 PM - 6:00 PM (Road Rage Rush Hour Traffic w/ DJ Chaz, news, traffic, weather, sports, jokes next to music gone out of control)


Evening (6 PM - 11 PM) - Evening & Late Night

6:00 PM - 9:00 PM Quiet heaviness feturing thick, brooding riffs that resonate

9:00 PM - 11:00 PM Specialty Shows (e.g., Deep Cuts & Hidden Gems, Subculture Sessions, Genre Crossovers, Themed Shows)(Premixed music rotation, prerecorded shows)


Overnight (11 PM - 7 AM) - Overnight Programming

11:00 PM - 7:00 AM Midnight Mix (postcast playback, uninterrupted music blocks)

Wednesday

Wednesdays are often characterized by a midweek slump, as people begin to feel the weight of the workweek but still have enough energy to push through. In radio entertainment, this is the time to inject some excitement with midweek motivation, upbeat music, and interactive segments that keep listeners engaged and looking forward to the rest of the week.


Morning (7 AM - 12 AM) - Morning Drive

07:00 AM - 10:00 AM Morning Show (Hardcore metal with slower-paced riffs and lower energy levels, news updates, traffic, interviews, popular music)

10:00 AM - 12:00 PM Mid-Morning Playlist (DJ-led slower-paced riffs and lower energy music with occasional news and traffic updates)


Afternoon (12 PM - 6 PM) - Midday & Afternoon Drive

1:00 PM - 3:00 PM Request Hour (Lunchtime Grid & Grub Traffic w/ DJ Chaz with music speeding up and becoming heavier)

3:00 PM - 6:00 PM (Road Rage Rush Hour Traffic w/ DJ Chaz, news, traffic, weather, sports, jokes next to music gone out of control)


Evening (6 PM - 11 PM) - Evening & Late Night

6:00 PM - 9:00 PM Quiet heaviness feturing thick, brooding riffs that resonate

9:00 PM - 11:00 PM Specialty Shows (e.g., Deep Cuts & Hidden Gems, Subculture Sessions, Genre Crossovers, Themed Shows)(Premixed music rotation, prerecorded shows)


Overnight (11 PM - 7 AM) - Overnight Programming

11:00 PM - 7:00 AM Midnight Mix (postcast playback, uninterrupted music blocks)

Thursday

Thursdays are often characterized by a surge of energy as the weekend draws nearer, with people starting to feel the anticipation and excitement for their upcoming plans. In radio entertainment, this is the time to build on that energy with high-spirited content, fun engagements, and lively discussions that set the tone for the weekend ahead.


Morning (7 AM - 12 AM) - Morning Drive

07:00 AM - 10:00 AM Morning Show (Hardcore metal with slower-paced riffs and lower energy levels, news updates, traffic, interviews, popular music)

10:00 AM - 12:00 PM Mid-Morning Playlist (DJ-led slower-paced riffs and lower energy music with occasional news and traffic updates)


Afternoon (12 PM - 6 PM) - Midday & Afternoon Drive

1:00 PM - 3:00 PM Request Hour (Lunchtime Grid & Grub Traffic w/ DJ Chaz with music speeding up and becoming heavier)

3:00 PM - 6:00 PM (Road Rage Rush Hour Traffic w/ DJ Chaz, news, traffic, weather, sports, jokes next to music gone out of control)


Evening (6 PM - 11 PM) - Evening & Late Night

6:00 PM - 9:00 PM Quiet heaviness feturing thick, brooding riffs that resonate

9:00 PM - 11:00 PM Specialty Shows (e.g., Deep Cuts & Hidden Gems, Subculture Sessions, Genre Crossovers, Themed Shows)(Premixed music rotation, prerecorded shows)


Overnight (11 PM - 7 AM) - Overnight Programming

11:00 PM - 7:00 AM Midnight Mix (postcast playback, uninterrupted music blocks)

Friday

Fridays are often characterized by a sense of relief and excitement, as people wrap up their workweek and look forward to the freedom of the weekend. In radio entertainment, this is the time to turn up the energy with feel-good music, fun segments, and lively interactions that celebrate the start of the weekend and get listeners in a positive, upbeat mood.


Morning (7 AM - 12 AM) - Morning Drive

07:00 AM - 10:00 AM Morning Show (Hardcore metal with slower-paced riffs and lower energy levels, news updates, traffic, interviews, popular music)

10:00 AM - 12:00 PM Mid-Morning Playlist (DJ-led slower-paced riffs and lower energy music with occasional news and traffic updates)


Afternoon (12 PM - 6 PM) - Midday & Afternoon Drive

1:00 PM - 3:00 PM Request Hour (Lunchtime Grid & Grub Traffic w/ DJ Chaz with music speeding up and becoming heavier)

3:00 PM - 6:00 PM (Road Rage Rush Hour Traffic w/ DJ Chaz, news, traffic, weather, sports, jokes next to music gone out of control)


Evening (6 PM - 11 PM) - Evening & Late Night

6:00 PM - 9:00 PM Quiet heaviness feturing thick, brooding riffs that resonate

9:00 PM - 11:00 PM Specialty Shows (e.g., Deep Cuts & Hidden Gems, Subculture Sessions, Genre Crossovers, Themed Shows)(Premixed music rotation, prerecorded shows)


Overnight (11 PM - 7 AM) - Overnight Programming

11:00 PM - 7:00 AM Midnight Mix (postcast playback, uninterrupted music blocks)

Saturday

Saturdays are often characterized by a relaxed, carefree vibe as people enjoy their free time and dive into weekend activities. In radio entertainment, this is the time to play feel-good tunes, host laid-back discussions, and offer fun, engaging content that complements the easygoing pace of the weekend.


Morning (7 AM - 10 AM) - Morning Drive

07:00 AM - 12:00 PM Morning Show (continuous high-energy new music w/ intros)


Afternoon (12 PM - 6 PM) - Midday & Afternoon Drive

12:00 PM - 3:00 PM Afternoon Show (continuous high-energy new music w/ intros)

3:00 PM - 6:00 PM (Road Rage Rush Hour Traffic w/ DJ Chaz, news, traffic, weather, sports, jokes, and more)


Evening (6 PM - 12 AM) - Evening & Late Night

6:00 PM - 9:00 PM Specialty Shows (e.g., Deep Cuts & Hidden Gems, Subculture Sessions, Genre Crossovers, Themed Shows)(Premixed music rotation, prerecorded shows)

9:00 PM - 12:00 AM Nighttime Mix (less talk with cooler music, uninterrupted music blocks)


Overnight (12 AM - 6 AM) - Overnight Programming

12:00 AM - 7:00 AM Midnight Mix (postcast playback, uninterrupted music blocks)

Sunday

Sundays are often characterized by a sense of reflection and preparation as people wind down their weekend and start to look ahead to the week. In radio entertainment, this is the time to offer soothing, uplifting content, calm music, and thoughtful discussions that help listeners relax and recharge for the days ahead.

For the listeners of Pirate Radio Denver, Sundays are all about winding down with smooth rock riffs that set a mellow vibe for the day, while still carrying the high energy of hard rock.


Morning (7 AM - 10 AM) - Morning Drive

07:00 AM - 10:00 AM Morning Show (high-energy, news updates, traffic, interviews, popular music)

10:00 AM - 12:00 PM Mid-Morning Playlist (DJ-led music with occasional breaks)


Afternoon (12 PM - 6 PM) - Midday & Afternoon Drive

12:00 PM - 3:00 PM Request Hour / Themed Segments (e.g., "Lunchtime Grind & Grub")

3:00 PM - 6:00 PM (Road Rage Rush Hour Traffic w/ DJ Chaz, news, traffic, weather, sports, jokes, and more)


Evening (6 PM - 12 AM) - Evening & Late Night

6:00 PM - 9:00 PM Specialty Shows (e.g., Deep Cuts & Hidden Gems, Subculture Sessions, Genre Crossovers, Themed Shows)(Premixed music rotation, prerecorded shows)

9:00 PM - 12:00 AM Nighttime Mix (less talk with cooler music, uninterrupted music blocks)


Overnight (12 AM - 6 AM) - Overnight Programming

12:00 AM - 7:00 AM Midnight Mix (postcast playback, uninterrupted music blocks)

Go here to learn about what a radio program director does, then about the art behind radio program directing.

About the Radio Program Director

A radio program director is a key role within a radio station, responsible for overseeing and managing the content and overall programming of the station to ensure it aligns with the station's target audience, business objectives, and brand identity. The aspect means that the program director's responsibilities also include balancing listener engagement with the need to generate revenue through advertising and sponsorships.

Key Responsibilities of a Radio Program Director:

Content Planning and Strategy:

  • A radio program director selects and schedules the programming content, including music, talk shows, advertisements, interviews, and special segments. They ensure the content aligns with the station's format, audience preferences, and brand.
  • They decide on the balance of music genres, talk shows, commercials, and other segments based on market research and audience feedback.

Audience Development:

  • Understanding the audience is crucial. The program director conducts research on listener demographics, preferences, and trends to ensure that the programming resonates with the target audience. They might use listener surveys, ratings, and social media engagement to adjust programming accordingly.
  • They may also work with marketing teams to promote shows and boost listener engagement.

Scheduling:

  • One of the director's primary duties is to create and manage the station’s programming schedule. This includes deciding when certain shows air, determining the timing of breaks, and ensuring that there is a mix of content to appeal to listeners at different times of day.
  • They manage primetime slots to maximize audience reach and often work with the sales team to create a strategic schedule that attracts advertisers.

Integration:

  • Since it's a station, the program director ensures that advertising slots are integrated effectively into the programming. This includes making sure that ads don't disrupt the flow of content and are strategically placed to optimize revenue.
  • They often collaborate with the sales department to ensure that advertising aligns with the station’s programming, working together to sell ad space during high-listenership times.

Talent Management:

  • Program directors manage on-air personalities, DJs, hosts, and other talent. They may hire, train, and coach talent to ensure they meet the station's standards, align with its voice, and engage the audience effectively.
  • They also monitor the performance of talent to ensure they maintain appropriate tone, timing, and delivery. Coaching may involve helping talent improve their presentation or keeping them updated on new trends.

Compliance and Legal Oversight:

  • Program directors ensure that all content complies with federal regulations, copyright laws, and station policies. They also ensure that the station adheres to ethical standards in programming and advertising, including ensuring that sponsored content is clearly identified.
  • They also manage the station’s adherence to rules set by organizations like the Federal Communications Commission (FCC).

Monitoring and Adjusting Programming:

  • A radio program director continually monitors how programming is performing. They track ratings, audience feedback, and the performance of advertisements.
  • Based on this data, they make adjustments to programming, ensuring it meets audience needs and supports the station's financial goals. This might mean tweaking content, changing show formats, or making adjustments to breaks.

Budget Management:

  • The program director typically has a budget for content creation, talent, and production, and they must manage this budget to ensure that the station operates efficiently while delivering quality programming.

Strategic Growth:

  • Radio stations need to grow their listener base, which in turn increases advertising revenue. The program director plays a role in developing strategies for audience growth, whether through new shows, cross-promotions, or partnerships.

In essence, the radio program director is the mastermind behind the station's content, ensuring that it serves both the audience's needs and the station’s financial goals. They manage a complex mix of creative programming and business strategy to keep the station running smoothly and profitably.

The Art of Radio Program Directing

The art of radio program directing is a blend of creativity, organization, and audience understanding. A radio program director shapes the overall sound and tone of a station, ensuring that the content resonates with its target audience while maintaining smooth operation. Here's a breakdown of the key elements involved:

Content Curation:

  • A radio program director selects the music, talk segments, and special features that align with the station's identity and audience's preferences. This requires a deep understanding of what the listeners want, while also keeping things fresh and relevant.

Scheduling:

  • Program directors are responsible for creating the station's programming schedule. This involves organizing the timing of shows, coordinating live broadcasts, and ensuring that the flow of content remains engaging. A good schedule balances peak listening times, special events, and on-air talent.

Talent Management:

  • Directors work closely with on-air personalities and hosts, guiding them to create compelling content. This includes coaching them on timing, tone, and delivery to ensure they connect with the audience. It's also about fostering creativity while maintaining professionalism.

Pacing and Flow:

  • The director ensures that each show or segment transitions smoothly, whether it’s a playlist, a live interview, or a break. A good flow keeps listeners engaged and ensures that the programming doesn’t feel jarring or disjointed.

Audience Engagement:

  • Radio program directors understand the importance of creating a connection with listeners. This could mean incorporating listener feedback, conducting live calls or shoutouts, and building interactive features. The goal is to keep the audience coming back, feeling like they’re part of the experience.

Creative Decision-Making:

  • A program director often has to make creative decisions about the station's identity—whether that's through unique segment themes, quirky shows, or a particular sound. This can help the station stand out from competitors.

Problem Solving:

  • When technical issues arise or something unexpected happens on air, the program director needs to act quickly, often thinking on their feet to resolve the problem without disrupting the audience's experience.

Strategic Planning:

  • A radio program director often works with other departments (such as marketing and sales) to ensure that the station is growing its audience and reaching goals, while still maintaining its integrity and audience loyalty.

The art behind it is about balancing the technical, creative, and strategic elements, making sure the programming is dynamic and consistently delivers a memorable experience for listeners. It requires a deep understanding of both the mechanics of radio and the emotions it can evoke in an audience.


Loading